Composer · Sound Designer

Original score for film and games.

Music and sound design, written for the specific scene it goes with.

A few placed cues and demos.

Selected Work

Press play.

Blackthorn Prod Pass the Game Challenge - End Theme

Brandon Mrgich

  • placed
  • game soundtrack
AudioDuration 1 minutes 52 seconds
0:001:52

Tell Me (Slowed Instrumental)

Laka Noch

  • film soundtrack
  • guitar
  • cello
AudioDuration 4 minutes 36 seconds
0:004:36

I dont wanna go

Brandon Mrgich

  • vocals
  • cinematic
  • demo
AudioDuration 1 minutes 06 seconds
0:001:06

idea01-ambient

Brandon Mrgich

  • demo
  • ambient
AudioDuration 0 minutes 42 seconds
0:000:42

Idea14-textural

Brandon Mrgich

  • demo
  • textural
  • c418 inspired
AudioDuration 3 minutes 20 seconds
0:003:20

Why is this (feeling) so hard?

Brandon Mrgich

  • sigur ros
  • cinematic
  • ambient
AudioDuration 2 minutes 42 seconds
0:002:42

Peaceful Sunday

Brandon Mrgich

  • unplaced
  • film soundtrack
  • piano
AudioDuration 4 minutes 16 seconds
0:004:16

you're so far away it hurts

Laka Noch

  • film
  • folktronica
  • demo
AudioDuration 1 minutes 38 seconds
0:001:38

Lumen

Brandon Mrgich

  • demo
  • textural
AudioDuration 1 minutes 58 seconds
0:001:58

Blackthorn Prod Pass the Game Challenge - Gameplay Loop

Brandon Mrgich

  • placed
  • game soundtrack
AudioDuration 2 minutes 08 seconds
0:002:08

idea08-deep ambient (midnight)

Brandon Mrgich

  • demo
  • ambient
AudioDuration 1 minutes 04 seconds
0:001:04

Approach

My own projects run from ambient electronic and neo-classical to folktronica, downtempo, and IDM. A score can pull from any of it. Each one gets built from what the scene needs.

I've worked in film post-production and game audio, so I know how cues actually get used. That means fewer revision rounds and files that drop straight into your pipeline.

What I offer

Scoring for games, films, and animation

For Filmmakers

Music that becomes part of the scene.

I write to what a scene is doing emotionally, not only to its timecode. The right cue changes what a moment means, and that is the part I care about most.

  • Original scores & recurring thematic material
  • Cue-by-cue composition or full score
  • Atmosphere, texture, and intentional silence
  • Revisions until it feels exactly right
For Game Developers

Static, or Dynamic music that reacts to the player & environment

Game music gets heard for hours, so it has to hold up. I write for the space the player is in and structure cues so they can shift with mood, area, and progress.

  • Ambient soundscapes & original compositions
  • Music that shifts with mood and setting
  • Environmental audio and textural sound design
  • Delivery formats tailored to your engine

Showcase

Hear it for yourself.

Each cue paired with the footage it was written for.

SERVICES_VIDEO_PAIR

idea11-slow

0:002:00
Original score overlay
Paused
01 / 02

Process

How it works.

1

Discovery

We talk about what you're hearing: references, tone, what it should feel like.

2

Creation

I write and refine with you in the loop. You hear things early. Nothing gets finalized in isolation.

3

Delivery

Clean files, stems if required, in the formats that work for you — on your timeline.

Working on something?

We'll create the sound it needs.

[email protected]